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"Now Listen to Me..."

Just some thoughts on current happenings:

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Top Ten Treasured Performances Part 1: The Actresses (The First Five)

In this series, I'll outline both the finest performances by an actress and those given by an actor in a motion picture. The criteria concerns actors of both genders who are able to communicate an idiosyncratic and thorough understanding of how their characters feel toward, and relate to, the people and situations they are involved with. These performances are delivered in an entirely natural manner without unnecessary affectation or embellishment. Their preservation on film gives the viewer an opportunity to keenly scrutinise each thespian's work. Therefore, the acting must not only be appropriate for the cinematic medium (as opposed to a more emphatic stage delivery) but allow for new character revelations to be discovered upon repeat viewings.

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"Now Listen to Me..."

Just some thoughts on current happenings:

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Treasure Trivia: Quiz #8


Treasure Trivia:

The Cinema Cafe has a chat room on Facebook that readers are welcome to join here. On Mondays, we have a movie trivia game called "Match-up Mondays" where the object is to name the common denominator between all of the films pictured and correctly identify them. 

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Like Quiz #7, each film has a memorable scene taking place at a similar site, only this time, instead of a pawnshop, it is a place (in one form or another) where most of us have likely frequented. Can you name the films shown and the locale each of their scenes has in common? Feel free to use all available resources. The first person to correctly identify all of the films and the common denominator here will receive a Region 4 (Australia) DVD (legitimately licensed from Universal) of The Great Gatsby (1949)


Here are the 6 films (Good luck!):



1.

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2.

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3.

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4.

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5.

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6.

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"Now Listen to Me..."

Just some thoughts on current happenings:

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"Now Listen to Me..."

Just some thoughts on current happenings:

Read More

"Now Listen to Me..."

Just some thoughts on current happenings:

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"Now Listen to Me..."

Just some thoughts on current happenings:

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Hidden Gems #8

 

 

Hidden Gem #80: Rogue Cop (1954, U.S.A.)

Director: Roy Rowland

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From the same writers who brought us 1953's The Big Heat (Sidney Boehm adapting William P. McGivern's source material) comes this far lesser known but just as potent film noir that replaces Glenn Ford's vengeful but clean cop Dave Bannion with Robert Taylor's conflicted but dirty cop Christopher Kelvaney.   

 

 

 

 

 

Hidden Gem #79: Hunger a.k.a. Sult (1966, Denmark/Norway/Sweden)

Director: Henning Carlsen

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The director, highly impressed with Nobel Prize winner Knut Hamsun's novel 'Sult', has provided this penetrating and emotionally consuming adaptation that delivers an equally unwavering performance from lead actor Per Oscarsson.

 

 

 

 

 

 

Hidden Gem #78: Between Time and Timbuktu (1972, U.S.A.)

Director: Fred Barzyk

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This TV movie is a wildly creative sampling of writer Kurt Vonnegut's various literary works and deserves far more exposer and recognition than it has so far received.

 

 

 

 

 

 

 

Hidden Gem #77: Série noire (1979, France)

Director: Alain Corneau

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An eccentric door-to-door salesman (a stunning performance from Patrick Dewaere) becomes progressively unhinged after encountering a teenager turned prostitute (pimped out by her money grubbing aunt) in Georges Perec and Alain Corneau’s bizarre but energised adaptation of noir writer Jim Thompson's novel.

 

 

 

 

 

Hidden Gem #76: He Was Her Man (1934, U.S.A.)

Director: Lloyd Bacon

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A little gem that once again pairs stars James Cagney and Joan Blondell, may have less of the snappy banter between them we've come to expect, but their romantic feelings for one another run deeper, and really hit home after witnessing the shocking finale, a conclusion only made possible during the film's pre-code time period. 

 

 

 

 

 

Hidden Gem #75: Adam at Six A.M. (1970, U.S.A.)

Director: Robert Scheerer

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Adam at Six A.M. is a finely etched and subtle "coming of age" film with Michael Douglas in the starring role that was overshadowed by the same year's similarly themed and more dramatic Five Easy Pieces; still, this hidden gem deserves more attention especially for the remarkable character portrayal provided by Joe Don Baker.

 

 

 

 

 

Hidden Gem #74: If I Had a Million (1932, U.S.A.)

Directors: James Cruze ("Death Cell")
                 H. Bruce Humberstone ("The Forger")
                 Ernst Lubitsch ("The Clerk")
                 Norman Z. McLeod ("China Shop", "Road Hogs")
                 Lothar Mendes (unknown contribution)
                 Stephen Roberts ("Violet", "Grandma")
                 William A. Seiter ("The Three Marines")
                 Norman Taurog ("Prologue", "Epilogue") 

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Eight different episodes concerning the surprised recipients of one million dollars comprise this delightful and enchanting pre-code gem with a stellar cast of rising stars.

 

 

 

 

 

 

 

Hidden Gem #73: Apartment Zero (1988, U.K.)

Director: Martin Donovan

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This unique and compelling relationship/mystery-thriller has the admirable distinction of investing, rather than ignoring as many similarly themed films do, a well substantiated emotional centre in its main characters which not only heightens our engagement when the conflicts get out of hand, but provides impetus for pondering the events long after they occur.    

 

 

 

 

Hidden Gem #72: The Lost One a.k.a. Der Verlorene (1951, Germany)

Director: Peter Lorre

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The celebrated actor returned to his native Germany to make his one directorial effort: a shockingly bold, deeply analytical and expressionistic character study about a research scientist living under the Nazi regime compelled to commit murder and its devastating aftereffects on his tortured soul.  

 

 

 

 

Hidden Gem #71: The Sea a.k.a. Il Mare (1963, Italy)

Director: Giuseppe Patroni Griffi

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The director here, better known for his work in opera, emulates Antonioni in the way he captures, develops and exposes the nature of his three principal subjects' emotional dependencies in this little known Italian masterwork. 

 

 

 

A.G.

Hidden Gems # 1 - 8 begin here.