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Filtering by Tag: TCM Recommendations

"Now Listen to Me... "

Just some thoughts on current happenings:

Classic film screenings from around the world this August include:

FILM NOIR 2025

In Vancouver, British Columbia, The Cinematheque continues with

FILM NOIR 2025

The programme reads:

“Film noir, that uniquely American cycle of mid-century crime movies positively dripping with style and the depravity of human behaviour, returns for another cruel summer here at The Cinematheque. Last year’s season leaned into the first half of noir’s classic corpus, drawing the majority of its roster from formative 1940s fare. Our 2025 lineup offers a more generous distribution: a collection of eight exemplars from which to trace the trajectory of noir, from bedrock (1944’s Double Indemnity, in a glistening new restoration) to burial ground (1961’s Blast of Silence, arguably the agonal gasp of the original era). Along the way, we’ll be serving up some pearl-clutching premieres (including, gasp, our first ever 3D noir!), resurrecting a favourite or two long-unseen at The Cinematheque (Curtis and Lancaster punch-out Sweet Smell of Success anyone?), and, in the case of André de Toth’s pithy, pulpy Crime Wave, providing the exceedingly rare opportunity to experience a newly minted 35mm print. Oh, and bah-humbugs take note—there’s a surprising amount of Yuletide violence in the proceedings too.”

From July 31–September 4, 2025

Click on the respective image above for more information on this series.

For all of the films scheduled this month at The Cinematheque, click on the theatre banner above.

In London, United Kingdom The Prince Charles Cinema will present Ikiru (1952, a 35mm print) Wednesday, August 13, Heat (1995, a 35mm print) Friday, August 15 and Thursday, August 21, Vertigo (1958, a 35mm print) Sunday, August 17, and Five Easy Pieces (1970, a 35mm print) on Thursday, August 21.

* Note: Some of the showtimes are matinees only.

Click on the film’s respective image for more information. To see August’s complete programming, click on The Prince Charles Cinema banner above.


In Los Angeles, California The Beverly Cinema will present Marathon Man (1974, a 35mm print) on Wednesday, August 13, Thursday, August 14 and Friday, August 15.

Click on the poster image for more information on this presentation. To see the rest of August’s schedule, click on The Beverly Cinema banner above.


In Auckland, New Zealand, Academy Cinemas is presenting Frenzy (1972) on Thursday, August 14.

To obtain more information on any of this programme, click on the respective poster image. To see August’s complete schedule, click on the Academy banner above.


Umberto D

In Bergen, Norway The Cinemateket i Bergen will present Umberto D. (1952, a 35mm print) on Friday, August 15 and Thursday, August 21

For more information on this film’s showing, click on the respective movie image above. For further information on the other films being presented at The Cinemateket, click on the banner image above.


WOMEN IN ACTION

In New York City, New York, Film Forum is presenting:

WOMEN IN ACTION

Friday, August 15 – Thursday, September 4

The programme reads:

A forty-film festival of gun toting, bank robbing, alien blasting, and crimefighting badassss leading ladies in films spanning genres and decades from the silent era to the twenty-tens. Featuring Maggie Cheung, Pam Grier, Gena Rowlands, Michelle Yeoh, Sigourney Weaver, Joan Crawford, Barbara Stanwyck, Tamara Dobson, Faye Dunaway, Jodie Foster, Uma Thurman and more!

Click on the film image for the programming of this series and on the Film Forum banner for other motion pictures playing this month.

In Como (part of greater Perth) Western Australia, The Revival House will present Wake in Fright (1971, a 35mm print) on Saturday, August 16 and Saturday, August 23.

Click on the poster image for more information on this screening. To see the other films showing this month, click on the theatre banner above.


The Elephant Man

In Valencia, Spain, Culturarts Generalitat IVAC – La Filmoteca at the 2025 Summer Film Library will be presenting The Elephant Man (1980, as part of their FOREVER LYNCH series) on Saturday, August 16 and Sunday, August 17.

* Note: Some of the above showtimes may be matinees only.

Click on the film image for more information on this screening. To discover more of August’s programming at the Summer Film Library, click on the banner image above.



Double Indemnity

Close Encounters of the Third Kind

In Santa Monica (part of greater Los Angeles) California, The American Cinematheque Aero Theatre will present Double Indemnity (1944) Saturday, August 16 at 3 pm only) and Close Encounters of the Third Kind [Director’s Cut] (1977, The American Cinematheque’s own newly struck 70mm print) on Friday, August 29.

For more information on these programmes, click on the appropriate film image above. To see the entire month of August’s programming including other films showing at the Aero Theatre in Santa Monica, The Los Feliz 3 Theatre in Los Feliz (also part of greater Los Angeles), and The Egyptian Theatre in Hollywood (also part of greater Los Angeles), click on the American Cinematheque banner.


The Sixth Sense

The Third Man

In Sydney, Australia The Ritz Theatre will present The Sixth Sense (1999, a 35mm print, as part of their ‘This is Celluloid: a Year of 35mm and 70mm Screenings’) Friday, August 22, and The Third Man (1949) on Saturday, August 23 and Monday, August 25.

* Note: Some of the showtimes are matinees only.

Click on the respective film image for more information on either of these screenings. For other films playing at The Ritz Theatre, click on the banner above.

MERYL STREEP

In Lyon, France the Institut Lumiere is presenting

MERYL STREEP a series of films with the iconic star Thursday, August 28 to Sunday, October 5, 2025.

Click on the respective image above for more information on this series. Click on the Institut logo for all of the films showing this month.


In theatres across the U.S. Flashback Cinema is presenting Jaws (1975, a 50th Anniversary Screening) starting Friday, August 29.

Click on the poster image for more information on this screening. To see the entire month’s programming, click on The Flashback Cinema banner above.


8 1/2

In San Francisco, California, The Roxie Theatre will present 8 1/2 (1963, a 35mm print) on Friday, August 29, Saturday, August 30, Sunday, August 31 and Monday, September 1.

* Note: Some of the showtimes are matinees only.

For more information on this film’s showing, click on the appropriate movie image above. For more information on the other films being presented at The Roxie, click on the theatre picture.

These are the reviewed films showing on Turner Classic Movies in the U.S. this month:

These first three films noir hit hard and fast and consist of a Sterling Hayden triple-header.

Hayden does not portray the criminal mastermind (that honour goes to actor Sam Jaffe) in this first TCM recommendation: The Asphalt Jungle, previously recommended here. His role, however, in a bold and daring jewel heist, is crucial both as a participating character and to the drama itself. The score will take place on TCM Thursday, August 14 at 3 pm PDT.

(From left) Sam Jaffe, Sterling Hayden, Anthony Caruso, James Whitmore

Immediately following The Asphalt Jungle is Stanley Kubrick’s The Killing, a former Blu-ray recommendation here. This time Hayden does star as the criminal mastermind who arranges for the titular incident to occur on TCM Thursday, August 14 at 5 pm PDT.

Unlike the hardened criminals he portrays in the first two recommendations, Crime Wave's Hayden has him playing hardened cop Detective Lt. Sims. Previously reviewed here, Crime Wave will hit Thursday, August 14 at 6:45 pm PDT.

(From left) Phyllis Kirk, Timothy Carey, Gene Nelson, Mack Chandler, Sterling Hayden

Anthony Mann’s laser-like focus on his characters’ deep-rooted psychological clashes of will makes this film noir western exhilarating, tension-filled and one of extreme efficiency and excellence. 1953’s The Naked Spur will be shown on Friday, August 15 at 1 pm PDT.

(From left) Millard Mitchell, Robert Ryan, Janet Leigh, Ralph Meeker

The mattress is soft and there're hangers in the closet and stationary with ‘Bates' Motel’ printed on it in case you want to make your friends back home envious.”

Still another Hitchcock artistic triumph was, at the time (including throughout its primary creator’s career), the most audacious cinematic assault ever perpetrated on the movie going public or the Motion Picture Production Code for that matter. 1960's Psycho was previously reviewed here. The terror will begin Friday, August 15 at 5 pm PDT.

This next TCM recommendation is, for many experts, the final film noir released during the classification's classic time period (1940 - 1959), Orson Welles' stylistically aggressive Touch of Evil.  

(From left) Orson Welles, Charlton Heston

I have previously written about how there came to be several different versions of this noir extravaganza especially as it concerns the ingenious opening sequence in Main Title Inspirations No. 2 Touch of Evil. Viewers can compare the introduction's bold visual display to the equally superlative use of sound at this film's conclusion when Touch of Evil airs Friday, August 15 at 7 pm PDT. 

TCM's current monthly schedule can be confirmed by clicking on any of the above TCM related images. To confirm the correct Pacific Daylight (West Coast) showtime information, subtract 3 hours from the Eastern Daylight (East Coast) showtime listed on TCM’s schedule.

(To be continued… )

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Thursday, July 31, 2025

Tonight on TCM:

Filmmaker Francis Ford Coppola’s 1979 magnum opus Apocalypse Now (the “Theatrical Version” reviewed here) has been canonised by its opening alone: perhaps the most hypnotically captivating introduction in the history of cinema.

Read More

Dish of the Day (A Lost Weekend Edition)


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, July 11, 2025

Tomorrow on TCM:

After her breakthrough role in Joseph von Sternberg's The Blue Angel made in Germany, Marlene Dietrich made six more films with the autocratic director in the U.S. The Scarlet Empress (1934), previously reviewed here, is arguably the duo’s most accomplished.

Read More

"Now Listen to Me... "

Just some thoughts on current happenings:

Read More

Dish of the Day (A Lost Weekend Edition)


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, July 4, 2025

Tomorrow on TCM:

1972's The Getaway is not nearly as meaningful or resonant as some of Sam Peckinpah's earlier films; still, as a genre piece, it punches solidly above its pay grade.

Read More