The Cinema Cafe

Serving Cinema's Tastiest Treats

Exhibiting Your Treasures: The "Presentation" Part 1

In this series I'd like to focus on factors that might enhance a presentation especially if one wishes to have their own "cinema cafe" experience at home. You might want to have guests over, making it important to provide the most enjoyable demonstration possible. In the future I (or perhaps a guest blogger) will discuss various audio/video equipment and set ups designed to best present one's movie treasures. Additionally, we will offer some food recipes, nutritional "easy to eat in the dark" delights, designed to spice things up while keeping you healthy enough to enjoy cinematic gems and treasures for many years to come. For this first entry I'd like to offer some tips on how to make the best coffee whether it be for your home cinema cafe, or while sitting by the computer reading this blog.  

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Sterling Silver Dialogue #3

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

 

"You should learn to live as though you didn't exist."

 

"How can you trust a man who wears both a belt and suspenders? The man can't even trust his own pants." 

 

 

"I've done a lot of lying in my time. I've lied to men who wear belts. I've lied to men who wear suspenders. But I'd never be so stupid as to lie to a man who wears both belt and suspenders."

 

"Do you drink a lot?" (reply) "Not a lot - just frequently."

 

 

"You're drunk!"   (reply) "And you're crazy. But I'll be sober tomorrow and you'll be crazy for the rest of your life."

 

 

"I envy people who drink. At least they know what to blame everything on."

 

 

"I distrust a man who says 'when'. If he's got to be careful not to drink too much, it's because he's not to be trusted when he does."

 

 

"I met a lot of hard-boiled eggs in my life, but you - you're twenty minutes."

 

 

(when propositioned for sex) "What am I, a bowl of fruit? A tangerine that peels in a minute?" 

 

"You've got more twists than a barrel of pretzels."

 

"That's fish four days old. I won't buy it!"

 

"Sidney, this syrup you're giving out, you pour over waffles, not JJ Hunsecker".

 

"I'd hate to take a bite outta you. You're a cookie full of arsenic." 

 

 

"You're like a horse or a dog or a man or any other woman... Once I understand you, you're all right." 

 

Answers to Sterling Silver Dialogue #3 are here.

Six Degrees of Treasure Trivia: Quiz #3

6 DEGREES OF TREASURE TRIVIA:  

Further hints to question #1 will be provided in the others (#2-#6).  Feel free to send your answers to arthur@thecinemacafe.com. 

 

#1. The following memorable quotes are heard in this film: 

"...the kind of man I've been looking for, lots of money and no resistance."

"Isn't there going to be any comedy in the show?"
(reply)"Plenty! The gay side, the hard-boiled side, the cynical and funny side of the depression! I'll make 'em laugh at you starving to death, honey... be the funniest thing you ever did."

Can you name the film? 

 

#2. In a very popular gangster film released in 1967 the central characters go to a theatre to see the film referenced in question #1.

Can you name the 1967 film? 

 

#3. In film #1 a scene that would have confounded Freud, features an actor who plays a baby (even though he was 8 years old at the time). This same actor memorably appears in a 1975 film about the destructiveness of the Hollywood dream machine whose setting occurs during the same decade in which film #1 was produced in.    

Can you name the actor and the 1975 film in which he appeared? 

 

#4. In an early scene from film #1 the fictional show's producer fires the 2 composers that have been working with him in order to hire a new composer he likes better. In reality, the 2 composers named are not only film #1's composers they also composed songs for 2 other major films with similar plot references, released the same year as film #1.   

Can you name the the composer and lyricist duo and the 2 other major film productions they worked on released that same year?  

 

#5. The actor playing the fictional replacement composer in film #1 stars as a very famous hard boiled detective in this film noir of 1944.   

Can you name the actor, the fictional detective and the film from 1944? 

 

#6. The director of film #1 had 2 years earlier made a famous gangster film which also made a huge star out of its lead actor. 

Can you name the director, the earlier film and its lead actor?

  

Hidden Gems #3

Hidden Gem #30: Boy a.k.a. Shonen (1969, Japan)

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Director: Nagisa Oshima

Based on a shocking, true story about parents who travel the country coercing their 10 year old to fake traffic accidents so that his mother-in-law can extort money from the unsuspecting motorists; this gem derives considerable emotional impact from the way our title character seeks refuge from his harsh reality by retreating into a fantasy world of space aliens whom he imagines (oddly enough) care for and look after one another. (More here).

 

     

 

 

Hidden Gem #29: Wanda (1970, U.S.A.)

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Director: Barbara Loden

Like The Night of the Hunter and One Eyed Jacks, this highly accomplished directorial "one off" by an acting talent concerns a mentally challenged drifter (played by the director) who finds a brief emotional connection to a criminal who callously uses her to assist him in a highly dangerous bank robbery. (More here).

 

 

 

 

Hidden Gem #28: Goodnight My Love (1972, U.S.A.)

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Director: Peter Hyams

Richard Boone and Michael Dunn play down to their last dime private detective partners, the former a big, brutish soft-spoken guy, the latter a sharp witted dwarf in 1940's Los Angeles where film noir meets an even darker sense of humour in this highly atmospheric, engrossing and exceptionally well made for TV little gem.

 

 

 

 

Hidden Gem #27: The Aviator's Wife a.k.a. La femme de l'aviateur (1981, France)

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Director: Eric Rohmer

While spying on his stand-offish girlfriend a young male student gets temporarily distracted by an even younger but more mature and socially aware female student in this spontaneous and enlightened offering from a masterful creator of subtly engaging manners. 

 

 

 

 

Hidden Gem #26: El a.k.a. This Strange Passion (1953, Mexico)

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Director: Luis Bunuel

Full of inspired and highly creative situations as a wealthy man's increasingly jealous determination to posses his new wife turns to madness in one of the great director's lesser known masterpieces that looks forward to the theme of "romantic" obsession in Vertigo from Alfred Hitchcock. 

 

 

 

 

Hidden Gem #25: The Lacemaker a.k.a. La dentellière (1977, France/Switzerland/West Germany)

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Director: Claude Goretta

A compelling romance develops between a very reserved but caring young woman and a middle-class intellectual, then tragically unravels when his overly-taxed mind simply cannot reconcile with her simple and beautiful heart.

 

 

   

 

Hidden Gem #24: Try and Get Me! a.k.a. The Sound of Fury (1950, U.S.A.)

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Director: Cy Endfield

Brace yourself for a devastatingly confrontational first, second and final act knock-out culminating in this: the most horrifyingly honest and realistic depiction of the American dream transformed into an American nightmare the screen has ever produced and it's based on a true story. (See: Inspecting a Hidden Gem).

 

 

 

 

Hidden Gem #23: A Dirty Carnival a.k.a. Biyeolhan geori (2006, South Korea)

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Director: Ha Yoo

A riveting gangster film that wisely focuses on its central character's quest to rise in his gang's hierarchy while improving his personal relationship with those closest to him which includes a fascinating "conflict of interest" sub-plot whereby our protagonist tries to help an aspiring film maker make his gangster film more realistic.

(Out of 5 Treasure Chests)

(Out of 5 Treasure Chests)

 

 

   

 

Hidden Gem #22: It All Starts Today a.k.a. Ça commence aujourd'hui (1999, France)

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Director: Bertrand Tavernier

A kindergarten teacher in a poor coal-mining region of Northern France struggles valiantly to improve not only his community's welfare but his private life as well in this passionate and ultimately uplifting social drama which is due primarily to the children's heart warming resiliency brilliantly captured by one of France's most notable cinematic storytellers. 

 

 

 

 

Hidden Gem #21: Across the Bridge (1957, U.K.)

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Director: Ken Annakin

A terrific premise sets up this suspenseful "man on the run" thriller whereby our protagonist must change identities with a stranger on board a train in order to evade capture once arriving in Mexico... a plan that's complicated by a most ingenious story twist which also produces a profound character change during his already intriguing journey.  

 

A.G. 

Hidden Gems #4 is here.

Top Ten: Guilty Treasures

The following are 10 of my personal favourites that cannot in good conscience be fully recommended to everyone. That's not to say these films don't have some positive qualities, for example in originality or how their stories are crafted. They all have, however, inherent flaws; perhaps it's a subject matter too limited in value, or overly simplistic characters given too much unwarranted attention. At the very least, the ten listed suffer from a self-imposed lack of "universal appeal." Below, I will attempt to take an objective look into why these movies fail to reach a higher artistic level while describing my own thrills when viewing them.

(They are listed in alphabetical order) 

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Sterling Silver Dialogue #2

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

"Twelve grand would have swung it (buying his horse farm back) and I almost made it once. I had more than five thousand dollars in my pocket. Pampoon was runnin' in the Suburban. I figured he couldn't lose... I put it all on his nose. He lost by a nose."

 

"One way or another, we all work for a vice." 

 

"What's in it for me?"

 

"What are ya sweatin' for?" (reply) "Money makes me sweat that's all... it's the way I am."

 

"After all, crime is only a left-handed form of human endeavor."

 

"Haven't you bothered me enough you big banana head?" 

 

 

(hypnotically) "Now you will hear a voice say Now Listen To Me. You will always obey this voice. Now listen to me. Listen to me..." 

 

 

"I feel for ya... but I'm consumed with apathy." 

 

 

(when offered a free prostitute) "I don't sleep with whores... at least not knowingly."

 

 

"Is it true you're getting a divorce as soon as your husband recovers his eyesight? Is it true you wash your hair in clam broth? Is it true you used to dance in a flea circus?"

 

 

"How many times do I have to tell ya how much you love me?"

 

 

"Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of." 

 

 

"The bottom is loaded with nice people, Albert. Only cream and bastards rise."

 

 

Answers to Sterling Silver Dialogue #2 are here.

Top Ten: World Cinema Treasures

Films on this, the highest level of artistic merit, must contain an extraordinary breadth of insight into the human experience, one that transcends any geographical, cultural or genre limitation. Furthermore, their story's development must appear spontaneous and natural, without apparent signs of its author's manipulation. At the same time, the narrative groundwork must be subtly laid so that an audience can strongly identify with, and feel for the characters' outcome. If the work is abstract in nature, it must enthrall and ignite the viewer's imagination. These motion pictures must not only be supremely crafted but reach deep into the bone marrow of our existence to create an everlasting spiritual experience, not unlike that produced by any of the other arts' greatest achievements.

They are listed in alphabetical order:

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Six Degrees of Treasure Trivia: Quiz #2

6 DEGREES OF TREASURE TRIVIA:  

Further hints to question #1 will be provided in the others (#2-#6).  Feel free to send your answers to arthur@thecinemacafe.com.  

#1. Two cops cynically banter throughout this film noir gem:  

"That's your seventh cup of coffee... you'll be awake for a year."  

(Sniffing a used glass of alcohol at a suspect's abandoned residence): "Aged in the glass Bourbon."

(Admiring a photo of a deceased crook's widow who works as a stripper): "Imagine a dish like this married to a mug like Benny McBride... The Naked and the Dead."            

Can you name the film?

 

#2. In the beginning of Film #1, a cop (the film's star) witnesses his partner being shot and killed. At the start of another film by the same director and with the same star, a similar situation occurs.         

Can you name the second film?  

 

#3. The target subject of Film #1 is also a primary feature used in heists carried out in these highly regarded crime movies from the following years:

1949, 1952, 1995, 2010.  

How many can you name? 

 

#4. At the end of Film #1 the character Dave Purvis meets his demise at an airport. The object he's carrying incurs the same results (at the same type of location) as that of another movie's fictional character: Johnny Clay. 

Can you name the "Johnny Clay" film? 

 

#5. Anthony Mann directed Film #1's star in a 1947 film about counterfeiters. Later in their careers Mann directed the opening scenes for a film this same actor appears in, Mann was subsequently fired from.  

 Can you name both movies? 

 

 #6. The actor who plays Dave Purvis in Film #1 is picked up by a couple of guys on a hunting trip in this 1953 film directed by an actress. 

Can you name the film and its Director? 

Hidden Gems #2

Hidden Gem #20: The Pearl a.k.a. La perla (1947, Mexico)

Director: Emilio Fernandez

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Before he became "Mapache" (See: Opening Up A Treasure The Wild Bunch) this rather neglected, under appreciated director created this beautiful cinematic gem, truly inspired from the John Steinbeck novella whereby the famous novelist himself assisted in writing the screenplay. 

 

 

 

 

Hidden Gem #19: Devil's Doorway (1950, U.S.A.)

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Director: Anthony Mann

Credit goes to producer Nicholas Nayfack for giving us this courageous, under appreciated masterpiece (its director's first and finest western which is saying a lot) telling a very personal tragedy that exposes the hard truth about America's past treatment of its native inhabitants. (See: Inspecting a Hidden Gem).

 

 

 

 

Hidden Gem #18: Titicut Follies (1967, U.S.A.)

Director: Frederick Wiseman

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This gripping and shocking documentary that takes place inside a Massachusetts Correctional Institution for the criminally insane benefits most from its director's unique approach of quietly filming for endless hours so that his subjects practically forget he's there. 

 

 

 

 

 

Hidden Gem #17: The Matrimony a.k.a. Xin zhong you gui (2007, China)

Director: Hua-Tao Teng

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A tragedy of lost love is creatively interwoven throughout this suspenseful and chilling ghost story. 

(Out of 5 Treasure Chests)

(Out of 5 Treasure Chests)

 

 

 

 

Hidden Gem #16: Orders to Kill (1958, U.K.)

Director: Anthony Asquith

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"To kill or not to kill" is the question for this protagonist since he not only doubts the guilt of a so called traitor to the French Resistance during WW2, he becomes rather fond of the guy he's ordered to eliminate in this underrated British gem deserving of its praise from noted film historian Peter Cowie. 

 

 

 

 

Hidden Gem #15: Mado (1976, France)

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Director: Claude Sautet

This wonderful cinematic storyteller becomes so deeply absorbed in his characters he allows those with vision to do the same.  

 

 

 

 

 

Hidden Gem #14: The Seedling a.k.a. Ankur (1974, India)

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Director: Shyam Benegal

This director's award winning first feature based on a true story resonates with emotion as it provides deep insight into India's troubled caste system.  

 

 

 

 

 

Hidden Gem #13: Investigation of a Citizen Above Suspicion a.k.a. Indagine su un cittadino al di sopra di ogni sospetto (1970, Italy)

Director: Elio Petri

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This fascinating, ultra magnetic portrait of a power crazy (and just plain crazy) murderer who also happens to be a police chief is made absorptive due to its distinctive visual style perfectly matched with a lively and infectious Ennio Morricone score. (See: Treasured Appearances).

 

 

 

 

Hidden Gem #12: Malcolm (1986, Australia)

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Director: Nadia Tass

Leave it to the Aussies (in this case Nadia Tass working with writer David Parker) to turn a crime film into such a quirky, inventively hilarious and ultimately endearing little gem.  

 

 

 

 

 

 

Hidden Gem #11: Forever Mary a.k.a Mery per sempre (1989, Italy)

Director: Marco Risi

A teacher gets deeply involved with his reform school students, and so do we.

 

 

A.G.

Hidden Gems #3 is here.

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Sterling Silver Dialogue #1

Sterling Silver Dialogue From The Movies: 

Do you know where they're from? 

 

(In amazement) "Silver Rings." (In reply) "Silver rings your butt... THEM'S WASHERS!"  

"We've got to start looking beyond our guns... those days are closing fast." 

"We all dream of being a child again... even the worst of us. Perhaps the worst most of all." 

"Pleeeease... cut the fuse... Pleease." 

"Pull The String!" 

"DO IT... SLICK."  

 

"Go Ahead... Make My Day."

"When you have to shoot... shoot. Don't talk."  

"Whatever you decide, don't do it out of guilt." 

"Well... what's it gonna be Mr. Pink?" 

"Are you gonna bark all day little doggie, or are you gonna bite?" 

 

 

Answers to Sterling Silver Dialogue #1 are here.