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Sterling Silver Dialogue #10

 

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

"Mandrake, do you recall what Clemenceau once said about war?"

(reply) "No, I don't think I do sir. No."   

(response)  "He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids."

 

(Advocating a stronger nuclear attack to offset a further Soviet retaliation)  "Mr. President, we are rapidly approaching a moment of truth both for ourselves as human beings and for the life of our nation. Now, truth is not always a pleasant thing. But it is necessary now to make a choice, to choose between two admittedly regrettable, but nevertheless distinguishable, postwar environments: One where you got twenty million people killed, and the other where you got a hundred and fifty million people killed."

(reply)  "You're talking about mass murder, General, not war!"

(response)  "Mr. President, I'm not saying we wouldn't get our hair mussed. But I do say no more than ten to twenty million killed, tops. Uh, depending on the breaks."

(reply)   "I will not go down in history as the greatest mass-murderer since Adolf Hitler."

(response)   "Perhaps it might be better, Mr. President, if you were more concerned with the American People than with your image in the history books."

 

"Mandrake, do you realize that in addition to fluoridating water, why, there are studies underway to fluoridate salt, flour, fruit juices, soup, sugar, milk... ice cream? Ice cream, Mandrake, children's ice cream."

Mandrake: "Lord, Jack."

Jack: "You know when fluoridation first began?"

Mandrake: "I... no. I don't, Jack."

Jack: "Nineteen hundred and forty-six. 1946, Mandrake. How does that coincide with your post-war Commie conspiracy? It's incredibly obvious, isn't it? A foreign substance is introduced into our precious bodily fluids without the knowledge of the individual. Certainly without any choice. That's the way your hard-core Commie works."

Mandrake: "Uh, Jack, Jack, listen... tell me, tell me, Jack. When did you first... become... well, develop this theory?"

Jack: "Well, I, uh... I... I... first became aware of it, Mandrake, during the physical act of love. Yes, a uh, a profound sense of fatigue... a feeling of emptiness followed. Luckily I... I was able to interpret these feelings correctly: Loss of essence. I can assure you it has not recurred, Mandrake. Women uh... women sense my power and they seek the life essence. I, uh... I do not avoid women, Mandrake. But I... I do deny them my essence."

Mandrake: "Yes, Jack."

 

"I was a nervous child.  I was a bed wetter. When I was younger, I, I uh, used to sleep with an electric blanket and I was constantly electrocuting myself."

 

 

"Sometimes it isn't being fast that counts, or even accurate, but willing. Most men will draw a breath or blink an eye before they shoot. I won't."

 

 

"A gun is a tool, Marian, no better, no worse than any other tool: An axe, a shovel or anything. A gun is as good or as bad as the man using it. Remember that."

 

 

"If you work for a living, why do you kill yourself working?"

 

 

(complaining about a steak he ordered) "Hey Hombre. This horse is still fighting for his life."

 

 

"What a dump!"

 

 

(impersonating the above) "What a dump!"

 

 

"You've just had a bad day, that's all."  (reply)   "That's a masterpiece of understatement."

 

 

"Is your handwriting legible?"   (reply)   "Except on weekends."

 

"She offered me free love. At the time, that was all I could afford."

 

"Just who the hell do you think you are? How dare you come sniffing in here like Napoleon ordering me about! You are a traitor! Does it occur to you? A wanted, spent, dishonest man, the lowest currency of the Cold War. We buy you - we sell you - we lose you - we even can shoot you! Not a bird would stir in the trees outside. Not even a single pheasant would turn his head to see what fell."

 

"What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're not! They're just a bunch of seedy, squalid bastards like me: little men, drunkards, queers, hen-pecked husbands, civil servants playing cowboys and Indians to brighten their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong?"

 

"I don't go to church. Kneeling bags my nylons."

 

 

Answers to Sterling Silver Dialogue #10 are here.

Capturing a Golden Moment #6: Monkey Business (1931)

 

In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.

 

 

Monkey Business (1931)

Director: Norman Z. McLeod

Scene: "Passport Departure"

I wonder what Maurice Chevalier would have made of this.

 

 

Monkey Business is available on DVD along with four other Marx Brothers movies here:

 



Top Ten: Western Treasures Part 1

One of the more fascinating aspects of this genre is that the historic "wild west" of America had just officially ended when these motion pictures were first being churned out. In other words, history having just been made in the real West in the late 1800s was to be first represented on celluloid in the early 1900s.

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Capturing a Golden Moment #5: White Heat

 

In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.

 

White Heat (1949)

Director: Raoul Walsh

Scene: "Prison Breakdown"

This little display of emotion demonstrates why James Cagney was such a great actor and commanding star. Creatively written by Ivan Goff and Ben Roberts. Superbly captured by director Walsh.  

 

 

White Heat is available on Blu-ray here:

White Heat [Blu-ray]
$13.76
Starring James Cagney, Virginia Mayo, Edmond O'brien, Margaret Wycherly
Buy on Amazon

It is also available on DVD here:

White Heat
$9.50
Starring Virginia Mayo, Edmond O'brien, Margaret Wycherly
Buy on Amazon

Sterling Silver Dialogue #9

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

"Hey, you ain't lookin' too good. The sight of blood bother you or somethin'?"

(reply) "Only my own."

 

"It's the stuff dreams are made of."

 

 

"Some men just don't like to be driven."  

(reply) "No, some men just don't like to be taken for a ride."

 

"How do you know that? How do you know my friends call me Domino?"  

(reply) "It's on the bracelet on your ankle."

(response) "So... what sharp little eyes you've got."   (reply)  "Wait 'til you get to my teeth."

 

(after leaving an Irrigation Therapy Room) "See you later...irrigator."

 

 

"You buy nice drinks, mister but you talk so much."

 

"Occasionally I always drink too much."

 

(first look at their new residence) "Well, the place looks lived in."

(reply) "Yeah, but by what?"

 

"Would you kill me, Rocky?"  (reply)  "Wouldn't you?"

 

"You drinkin' that stuff so early?"   (reply)  "Listen, doll girl, when you drink as much as I do, you gotta start early."

 

(to Nancy) "I wouldn't give a nickel for your husband's chances before that parole board with all this going on."

(to Rocky) "And I wouldn't give a nickel for your chances with those two apes running around looking for you."

(to Castro) "For you, I just wouldn't give a nickel."

 

 

"Look Johnny, you know me. You get in my way... I'll kill you."   (reply)  "You took the words right out of my mouth."

 

 

"I'm no Humphrey Bogart. He gets slugged and he's ready for action; I get slugged and I'm ready for pickling."

 

"Lili, a sizzler at the Fol-de-Rol. A figure like champagne and a heart like the cork."

 

 

"We have a saying in India..."  (reply) "Yes?"   (response) "Yes."  (reply)  "Well?"

(response) "Well what?"

 

"Who do you think you are?"  

(reply) "In India, we don't think who we are. We know who we are."

 

"You meshuga!"   (reply)  "I am not your sugar."

 

"Num Num" "Birdie Num Num"

 

 

Answers to Sterling Silver Dialogue #9 are here.

Hidden Gems #5

Hidden Gem #50: Wake in Fright a.k.a. Outback (1971, Australia/U.S.A.)

wake in fright.jpg

Director: Ted Kotcheff

A British bonded school teacher who dreams of life in the big city, receives the culture shock of a lifetime when a planned brief stopover in an Aussie mining town becomes a one way ticket to self-loathing hell and for us one of the most personally gripping horror stories ever witnessed.

 

 

 

 

Hidden Gem #49: Special Section a.k.a. Section spéciale (1975, France/Italy/West Germany)

special section.jpg

Director: Costa-Gavras

Less melodramatic than the director's better known Missing (1982) and Music Box (1989), this straightforwardly powerful account of judicial corruption is based on a true story that took place in Nazi occupied France during World War II.

 

 

 

 

Hidden Gem #48: Black Rain a.k.a. Kuroi ame (1989, Japan)

black rain.jpg

Director: Shōhei Imamura

The devastating after effects of the Hiroshima bombing are handled in a subdued and subtle fashion in Imamura's most tragic and moving cinematic story. 

 

 

 

 

 

 

Hidden Gem #47: The Stranger a.k.a. Lo straniero (1967, Italy/France/Algeria)

the stranger.jpg

Director: Luchino Visconti

Perfectly capturing the theme of existentialism is this provocative portrayal of a lost soul accused of murder in French occupied Algeria (based on the novel by Albert Camus).

 

 

 

 

Hidden Gem #46: Smog (1962, Italy)

smog.jpg

Director: Franco Rossi

Like 1972's The Outside Man (See: Top 10 Guilty Treasures), this is a unique and absorbing outsider's view of life in Los Angeles, only instead of the French suspenseful intrigue, we have this charming and quirky Italian perspective. 

 

 

 

 

Hidden Gem #45: Cry Danger (1951, U.S.A.)

cry danger.jpg

Director: Robert Parrish

This terrific little L.A. noir with Dick Powell at his cynical best has great heavies, sleazy locations, shady dames and wicked dialogue to burn - plus even Powell's best friend who sprung him from prison on a phoney alibi thinks he's guilty. (More here).

 

 

 

 

Hidden Gem #44: Ocean Men: Extreme Dive (2001, Germany)

ocean men.jpg

Director: Bob Talbot

A fascinating, totally unique documentary that looks at two extreme athletes who challenge each other not only in how long they can hold their breaths but in the authenticity of the chosen methods to do so, with the director's amazing underwater photography beautifully scored by composer Cliff Eidelman.

(Out of 5 Treasure Chests)

(Out of 5 Treasure Chests)

Hidden Gem #43: Four Nights of a Dreamer a.k.a. Quatre nuits d'un rêveur (1971, France)

four nights of a dreamer.jpg

Director: Robert Bresson

A chance encounter in Paris between a painter and a possible suicide victim turns to dreamy, unrequited love in still another jewel from the great french director, this one rare and practically unknown.

 

 

 

 

Hidden Gem #42: Black Tuesday (1954, U.S.A.)

black tuesday.jpg

Director: Hugo Fregonese

This brutally vicious prison escape thriller is one of the best of its type and contains a riveting performance by Edward G. Robinson, matched every step of the way by an equally brilliant (and surprisingly intense) turn from Peter Graves as a fellow convict, both of whom are about to be executed. 

 

 

 

 

Hidden Gem #41: Le Crabe Tambour (1977, France)

le crab tambour.jpg

Director: Pierre Schoendoerffer

A highly engrossing and intelligent film that combines adventure with historical drama and a strong sense of mystery surrounding the heroics of a former French war hero once betrayed, and now sought out, by a dying ship's captain.

 

A.G.

 

Hidden Gems #6 is here.

Capturing a Golden Moment #4: The Fastest Gun Alive

In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.

The Fastest Gun Alive (1956) 

Director: Russell Rouse

Scene: "The Dance"

Another amazing showcase from the unstoppable Russ Tamblyn. From the young Bart Tare in Gun Crazy (1950) to Riff in West Side Story (1961) to Son of a Gunfighter in Django Unchained (2012), he's still going strong.

 

 

 

The Fastest Gun Alive is available On Demand from The Warner Archive Collection here:

Fastest Gun Alive
$19.98
Starring Glenn Ford, Jeanne Crain, Broderick Crawford, Russ Tamblyn, Allyn Joslyn
Buy on Amazon

Top Ten "All that Glitters...": The Overrated Part 2 Blue Velvet

The purpose of this list is not to give a critical lambasting to what a great number of viewers consider to be cinematic treasures. What I would like to provide my readers with is an alternative and admittedly more critical perspective to consider, one that hopefully will not detract from a person's appreciation for the films under review. At the same time, I'd question whether these motion pictures really deserve the high accolades bestowed upon them by many in the critical community. Perhaps it's like this: instead of "The emperor has no clothes," I'm saying "He's not quite as well dressed." (For a further introduction on this subject please see: Top Ten “All that Glitters…”: The Overrated Part 1.)

These notices are meant for viewers familiar with the following motion pictures.

(They will be addressed in alphabetical order.)

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