The Cinema Cafe

Serving Cinema's Tastiest Treats

Filtering by Tag: Watch TCM

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, October 7, 2024

Currently available at Watch TCM (until October 15th):

After her breakthrough role in Joseph von Sternberg's The Blue Angel, made in Germany, Marlene Dietrich made six more films with the autocratic director in the U.S. The Scarlet Empress,

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, August 6, 2024

Currently available at Watch TCM (until August 28th):

"Complaining about the far-fetched circumstances in films noir is like objecting to the lack of realism in a Picasso painting. What I mean is that lovers of these criminally rich cinematic delights oughtn’t to bother picking out the implausibilities, since they are practically a hallmark of noir's style."

I've written this before when introducing Split Second (1953)

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, July 17, 2024

Currently available at Watch TCM (until August 5th):

Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.

If you are a fan of crime films, do not miss Richard Fleischer’s little powder keg of a film noir, Armored Car Robbery (1950)

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, July 2, 2024

Currently available on Watch TCM (until July 12th):

Many experts have claimed that this next TCM recommendation is the first identifiable film noir made in the U.S. and released during the category's classic time period (1940 - 1959): Boris Ingster's 1940 Stranger on the Third Floor.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, June 24, 2024

Currently available on Watch TCM (until July 1st):

Tomorrow Is Another Day (1951), previously reviewed here, may sound like some forgotten Douglas Sirk melodrama but certainly has its fair share of film noir qualifications delivered with assuredness by director Felix Feist.

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