Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, January 3, 2025
Today on TCM:
1945’s Spellbound directed by Alfred Hitchcock, is another film whereby I’ve previously promoted its soundtrack and have added a few words regarding the film itself here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, May 5, 2026
Currently available at Watch TCM (until May 12th):
John Ford's 1956 masterpiece The Searchers,previously reviewed here, is Top Ten Western #2 and is as likely as any film to provide one with a truly unforgettable, rich and rewarding movie watching experience.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, April 30, 2026
Currently available at Watch TCM (until May 26th):
One of Alfred Hitchcock’s more uncustomary, yet distinguished, offerings is 1953’s I Confess which features a fervent, introspective performance from Montgomery Clift.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, April 16, 2026
Currently available at Watch TCM (until April 18th):
Bonnie and Clyde is a seminal gangster saga heavily influenced by the French iconoclast Jean-Luc Godard. A prior review here includes a special contribution from Bob DiMucci who informatively reports on some of the film's critical responses at the time of its release.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, April 15, 2026
Currently available at Watch TCM (until April 18th):
Dark Passage (1947) is a wildly engrossing film noir that combines the best of romance with the best of noir in the best location for both: San Francisco.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, March 18, 2026
Currently available at Watch TCM (until March 25th):
Filmmaker Francis Ford Coppola’s 1979 magnum opus Apocalypse Now (the “Theatrical Version” reviewed here) has been canonised by its opening alone: perhaps the most hypnotically captivating introduction in the history of cinema.
