Answers to Sterling Silver Dialogue #10
Sterling Silver Dialogue #10: (Answers)
Read MoreSterling Silver Dialogue #10: (Answers)
Read MoreI am honored to introduce for his first post here, guest blogger Bob DiMucci:
When I was growing up, one of our local television stations had a Saturday morning show called "Shirley Temple Theater," in which they had Temple's films on a regular rotation. I saw many of her most popular films as part of that series. In the 50 years since, however, I've probably revisited only one or two of those films. Yet I still have vivid memories of many scenes from them.
The Films of Shirley Temple
Read MoreThese are a few of Cinema's sad departures of early 2014 taken from my personal notes soon after the events took place:
Read MoreOne of the more fascinating aspects of this genre is that the historic "wild west" of America had just officially ended when these motion pictures were first being churned out. (For a further introduction to this series, see Top Ten: Western Treasures Part 1.)
Read MoreThese are a few of Cinema's sad departures of early 2014 taken from my personal notes soon after the events took place:
Read MoreThese are a few of Cinema's sad departures of late 2013 taken from my personal notes soon after the events took place:
Read MoreExploring The Artefacts is a series in which I'll examine some unique and significant components, or by-products, of cinema storytelling that are often under-appreciated.
Read More
Sterling Silver Dialogue From The Movies:
Do you know where they're from?
"Mandrake, do you recall what Clemenceau once said about war?"
(reply) "No, I don't think I do sir. No."
(response) "He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids."
(Advocating a stronger nuclear attack to offset a further Soviet retaliation) "Mr. President, we are rapidly approaching a moment of truth both for ourselves as human beings and for the life of our nation. Now, truth is not always a pleasant thing. But it is necessary now to make a choice, to choose between two admittedly regrettable, but nevertheless distinguishable, postwar environments: One where you got twenty million people killed, and the other where you got a hundred and fifty million people killed."
(reply) "You're talking about mass murder, General, not war!"
(response) "Mr. President, I'm not saying we wouldn't get our hair mussed. But I do say no more than ten to twenty million killed, tops. Uh, depending on the breaks."
(reply) "I will not go down in history as the greatest mass-murderer since Adolf Hitler."
(response) "Perhaps it might be better, Mr. President, if you were more concerned with the American People than with your image in the history books."
"Mandrake, do you realize that in addition to fluoridating water, why, there are studies underway to fluoridate salt, flour, fruit juices, soup, sugar, milk... ice cream? Ice cream, Mandrake, children's ice cream."
Mandrake: "Lord, Jack."
Jack: "You know when fluoridation first began?"
Mandrake: "I... no. I don't, Jack."
Jack: "Nineteen hundred and forty-six. 1946, Mandrake. How does that coincide with your post-war Commie conspiracy? It's incredibly obvious, isn't it? A foreign substance is introduced into our precious bodily fluids without the knowledge of the individual. Certainly without any choice. That's the way your hard-core Commie works."
Mandrake: "Uh, Jack, Jack, listen... tell me, tell me, Jack. When did you first... become... well, develop this theory?"
Jack: "Well, I, uh... I... I... first became aware of it, Mandrake, during the physical act of love. Yes, a uh, a profound sense of fatigue... a feeling of emptiness followed. Luckily I... I was able to interpret these feelings correctly: Loss of essence. I can assure you it has not recurred, Mandrake. Women uh... women sense my power and they seek the life essence. I, uh... I do not avoid women, Mandrake. But I... I do deny them my essence."
Mandrake: "Yes, Jack."
"I was a nervous child. I was a bed wetter. When I was younger, I, I uh, used to sleep with an electric blanket and I was constantly electrocuting myself."
"Sometimes it isn't being fast that counts, or even accurate, but willing. Most men will draw a breath or blink an eye before they shoot. I won't."
"A gun is a tool, Marian, no better, no worse than any other tool: An axe, a shovel or anything. A gun is as good or as bad as the man using it. Remember that."
"If you work for a living, why do you kill yourself working?"
(complaining about a steak he ordered) "Hey Hombre. This horse is still fighting for his life."
"What a dump!"
(impersonating the above) "What a dump!"
"You've just had a bad day, that's all." (reply) "That's a masterpiece of understatement."
"Is your handwriting legible?" (reply) "Except on weekends."
"She offered me free love. At the time, that was all I could afford."
"Just who the hell do you think you are? How dare you come sniffing in here like Napoleon ordering me about! You are a traitor! Does it occur to you? A wanted, spent, dishonest man, the lowest currency of the Cold War. We buy you - we sell you - we lose you - we even can shoot you! Not a bird would stir in the trees outside. Not even a single pheasant would turn his head to see what fell."
"What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're not! They're just a bunch of seedy, squalid bastards like me: little men, drunkards, queers, hen-pecked husbands, civil servants playing cowboys and Indians to brighten their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong?"
"I don't go to church. Kneeling bags my nylons."
Answers to Sterling Silver Dialogue #10 are here.
Some of Cinema's 2013 Lost Treasures. The music by Rolfe Kent is from the film Nurse Betty.
In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.
Monkey Business (1931)
Director: Norman Z. McLeod
Scene: "Passport Departure"
I wonder what Maurice Chevalier would have made of this.
Monkey Business is available on DVD along with four other Marx Brothers movies here:
Timothy Carey
Read MoreSterling Silver Dialogue #9: (Answers)
Read MoreOne of the more fascinating aspects of this genre is that the historic "wild west" of America had just officially ended when these motion pictures were first being churned out. In other words, history having just been made in the real West in the late 1800s was to be first represented on celluloid in the early 1900s.
Read More
Some of Cinema's 2013 Lost Treasures. The music by Mark McKenzie is from the film Durango.
An essential cooking demonstration for all master chefs from
The Groove Tube (1974)
Jonathan Winters
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Some of Cinema's 2013 Lost Treasures. The music by Michael Kamen is from the film Open Range.
In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.
White Heat (1949)
Director: Raoul Walsh
Scene: "Prison Breakdown"
This little display of emotion demonstrates why James Cagney was such a great actor and commanding star. Creatively written by Ivan Goff and Ben Roberts. Superbly captured by director Walsh.
White Heat is available on Blu-ray here:
It is also available on DVD here:
After mentioning various 'Treasures' and 'Gems' it's time again to look into their availability. For a more informative introduction to this topic please see Exhibiting Your Treasures #2.
In this post we will focus on the Top Ten Guilty Treasures (as they appear in alphabetical order.)
Read MoreExploring The Artefacts is a series in which I'll examine some unique and significant components, or by-products, of cinema storytelling that are often under-appreciated.
Read More