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Dish of the Day


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, July 26, 2023

Today on TCM:

Besieged with production problems, and sometimes wrongfully criticised because of them, this next TCM recommendation is, nevertheless, an accomplished and splendorous piece of dramatically dynamic adventure storytelling: the 1962 version of Mutiny on the Bounty

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, July 19, 2023

Recently in our film related chat room (readers are welcome to join here) a member made a post reflecting his thoughts on a recurring subject: that of whether opinions within the category of film criticisms are, or can be, subjective or objective in nature.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, July 14, 2023

Today on TCM:

From the same director who brought us Citizen Kane comes another kind of cinematic hero (of sorts). Michael O'Hara, like the deeply flawed Kane, is flawlessly played by his creator Orson Welles. Unlike Citizen Kane however, this film fell under its producer Harry Cohn's butchery with considerable footage lost and destroyed forever. Nevertheless, what survives is vastly entertaining and not to be missed. The Lady from Shanghai (1947)

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, July 12, 2023

Recently in a Writers related chat room (readers are welcome to join our Cinema related room here) a member asked about “… the ARTISTIC appeal of Citizen Kane, perhaps using Casablanca as a point of reference.”

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, July 11, 2023

Today on TCM:

Next up are a couple of exciting films noir that first arrived on the scene in 1953, appearing back to back on TCM:

Barbara Stanwyck stars as a devoted wife trying to save her husband (played by Barry Sullivan) but equally determined to match wits against killer Ralph Meeker in order to do so, in the previously recommended (here) noir, 1953's Jeopardy.

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