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Top Ten: World Cinema Treasures

Films on this, the highest level of artistic merit, must contain an extraordinary breadth of insight into the human experience, one that transcends any geographical, cultural or genre limitation. Furthermore, their story's development must appear spontaneous and natural, without apparent signs of its author's manipulation. At the same time, the narrative groundwork must be subtly laid so that an audience can strongly identify with, and feel for the characters' outcome. If the work is abstract in nature, it must enthrall and ignite the viewer's imagination. These motion pictures must not only be supremely crafted but reach deep into the bone marrow of our existence to create an everlasting spiritual experience, not unlike that produced by any of the other arts' greatest achievements.

They are listed in alphabetical order:

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Six Degrees of Treasure Trivia: Quiz #2

6 DEGREES OF TREASURE TRIVIA:  

Further hints to question #1 will be provided in the others (#2-#6).  Feel free to send your answers to arthur@thecinemacafe.com.  

#1. Two cops cynically banter throughout this film noir gem:  

"That's your seventh cup of coffee... you'll be awake for a year."  

(Sniffing a used glass of alcohol at a suspect's abandoned residence): "Aged in the glass Bourbon."

(Admiring a photo of a deceased crook's widow who works as a stripper): "Imagine a dish like this married to a mug like Benny McBride... The Naked and the Dead."            

Can you name the film?

 

#2. In the beginning of Film #1, a cop (the film's star) witnesses his partner being shot and killed. At the start of another film by the same director and with the same star, a similar situation occurs.         

Can you name the second film?  

 

#3. The target subject of Film #1 is also a primary feature used in heists carried out in these highly regarded crime movies from the following years:

1949, 1952, 1995, 2010.  

How many can you name? 

 

#4. At the end of Film #1 the character Dave Purvis meets his demise at an airport. The object he's carrying incurs the same results (at the same type of location) as that of another movie's fictional character: Johnny Clay. 

Can you name the "Johnny Clay" film? 

 

#5. Anthony Mann directed Film #1's star in a 1947 film about counterfeiters. Later in their careers Mann directed the opening scenes for a film this same actor appears in, Mann was subsequently fired from.  

 Can you name both movies? 

 

 #6. The actor who plays Dave Purvis in Film #1 is picked up by a couple of guys on a hunting trip in this 1953 film directed by an actress. 

Can you name the film and its Director? 

Hidden Gems #2

Hidden Gem #20: The Pearl a.k.a. La perla (1947, Mexico)

Director: Emilio Fernandez

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Before he became "Mapache" (See: Opening Up A Treasure The Wild Bunch) this rather neglected, under appreciated director created this beautiful cinematic gem, truly inspired from the John Steinbeck novella whereby the famous novelist himself assisted in writing the screenplay. 

 

 

 

 

Hidden Gem #19: Devil's Doorway (1950, U.S.A.)

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Director: Anthony Mann

Credit goes to producer Nicholas Nayfack for giving us this courageous, under appreciated masterpiece (its director's first and finest western which is saying a lot) telling a very personal tragedy that exposes the hard truth about America's past treatment of its native inhabitants. (See: Inspecting a Hidden Gem).

 

 

 

 

Hidden Gem #18: Titicut Follies (1967, U.S.A.)

Director: Frederick Wiseman

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This gripping and shocking documentary that takes place inside a Massachusetts Correctional Institution for the criminally insane benefits most from its director's unique approach of quietly filming for endless hours so that his subjects practically forget he's there. 

 

 

 

 

 

Hidden Gem #17: The Matrimony a.k.a. Xin zhong you gui (2007, China)

Director: Hua-Tao Teng

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A tragedy of lost love is creatively interwoven throughout this suspenseful and chilling ghost story. 

(Out of 5 Treasure Chests)

(Out of 5 Treasure Chests)

 

 

 

 

Hidden Gem #16: Orders to Kill (1958, U.K.)

Director: Anthony Asquith

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"To kill or not to kill" is the question for this protagonist since he not only doubts the guilt of a so called traitor to the French Resistance during WW2, he becomes rather fond of the guy he's ordered to eliminate in this underrated British gem deserving of its praise from noted film historian Peter Cowie. 

 

 

 

 

Hidden Gem #15: Mado (1976, France)

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Director: Claude Sautet

This wonderful cinematic storyteller becomes so deeply absorbed in his characters he allows those with vision to do the same.  

 

 

 

 

 

Hidden Gem #14: The Seedling a.k.a. Ankur (1974, India)

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Director: Shyam Benegal

This director's award winning first feature based on a true story resonates with emotion as it provides deep insight into India's troubled caste system.  

 

 

 

 

 

Hidden Gem #13: Investigation of a Citizen Above Suspicion a.k.a. Indagine su un cittadino al di sopra di ogni sospetto (1970, Italy)

Director: Elio Petri

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This fascinating, ultra magnetic portrait of a power crazy (and just plain crazy) murderer who also happens to be a police chief is made absorptive due to its distinctive visual style perfectly matched with a lively and infectious Ennio Morricone score. (See: Treasured Appearances).

 

 

 

 

Hidden Gem #12: Malcolm (1986, Australia)

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Director: Nadia Tass

Leave it to the Aussies (in this case Nadia Tass working with writer David Parker) to turn a crime film into such a quirky, inventively hilarious and ultimately endearing little gem.  

 

 

 

 

 

 

Hidden Gem #11: Forever Mary a.k.a Mery per sempre (1989, Italy)

Director: Marco Risi

A teacher gets deeply involved with his reform school students, and so do we.

 

 

A.G.

Hidden Gems #3 is here.

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Sterling Silver Dialogue #1

Sterling Silver Dialogue From The Movies: 

Do you know where they're from? 

 

(In amazement) "Silver Rings." (In reply) "Silver rings your butt... THEM'S WASHERS!"  

"We've got to start looking beyond our guns... those days are closing fast." 

"We all dream of being a child again... even the worst of us. Perhaps the worst most of all." 

"Pleeeease... cut the fuse... Pleease." 

"Pull The String!" 

"DO IT... SLICK."  

 

"Go Ahead... Make My Day."

"When you have to shoot... shoot. Don't talk."  

"Whatever you decide, don't do it out of guilt." 

"Well... what's it gonna be Mr. Pink?" 

"Are you gonna bark all day little doggie, or are you gonna bite?" 

 

 

Answers to Sterling Silver Dialogue #1 are here.

 

Hidden Gems #1

Hidden Gem #10: They Won't Believe Me (1947, U.S.A.)

Director: Irving Pichel

This guy's a revelation: A real fish in a noir desert. (See: Inspecting a Hidden Gem).

 

 

 

 

 

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Hidden Gem #9: Amor Bandido a.k.a. Beloved Lover (1978, Brazil)

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 Director: Bruno Barreto

The streets are meaner than Scorsese's in this revved up melodrama where Romeo and Juliet meets A Short Film About Killing. (See: Inspecting a Hidden Gem).

 

 

 

 

 

Hidden Gem #8: Hunter in the Dark a.k.a. Yami no Karyudo (1979, Japan)

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Director: Hideo Gosha

A one-eyed assassin with amnesia slices his way back to a haunted past in this exhilarating samurai gem.

 

 

 

 

 

Hidden Gem #7: The Fifth Seal a.k.a. Az ötödik pecsét (1976, Hungary)

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 Director: Zoltan Fabri

This devastating masterpiece begins like a Eugene O'Neill play, with some guys in a bar philosophising about torture, the relevancy of which hits us like a sledgehammer when later they are captured and tortured by the Nazis.

 

 

 

 

Hidden Gem #6: Hotel Pacific a.k.a Zaklete rewiry (1975, Poland/Czechoslovakia)

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Director: Janusz Majewski

A diverse group of loveable characters converge at the Hotel Pacific's restaurant in this funny yet poignant little cinematic gem.

 

 

 

 

 

 

 

Hidden Gem #5: Police Python 357 (1976, France)

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 Director: Alain Corneau

A twist on the intriguing The Big Clock premise sets up a French "Dirty Harry" in this absorbing neo-noir thriller. (More here).

 

 

 

 

 

 

Hidden Gem #4: Mädchen in Uniform (1931, Germany)

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Director: Leontine Sagan

Beautifully enacted and sensitive portrayal of a shy young girl sent to an all girls boarding school who becomes desperately enamored with one of her female teachers.

 

 

 

 

 

Hidden Gem #3: The Ascent a.k.a. Voskhoz hdeniye (1977, Soviet Union)

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Director: Larisa Shepitko

A couple of Soviet soldiers fight for survival in this harrowing, religiously symbolic WW2 masterstroke full of indelible imagery. (More here).

 

 

 

 

 

 

Hidden Gem #2: Deep End (1970, UK/West Germany)

Director: Jerzy Skolimowski

A handsome young lad learns about obsessive and unrequited love the hard way in this unique and compelling retro coming of age gem.

 

 

 

 

 

Hidden Gem #1: The Swimmer (1968, U.S.A.)

Director: Frank Perry

 "You loved it!"... Well you better love it since this dreamer's captivating, one of a kind and ultimately tragic journey home via his friends’ suburban pools is my favourite film of all time. (See: Inspecting a Hidden Gem).

 

 

A.G. 

Hidden Gems #2 is here.

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Six Degrees of Treasure Trivia: Quiz #1

6 DEGREES OF TREASURE TRIVIA:  Further hints to question #1 will be provided in the others (#2-#6). Feel free to send your answers to arthur@thecinemacafe.com.

1.  Both of the following memorable quotes are from the same film.  Can you guess the title?

“The light that burns twice as bright burns half as long and you’ve burned so very, very brightly Roy.”

“All those moments will be lost in time like tears in rain.”

2.  There is a scene in the above film in which, during his investigation, our central character dons a false nerd-like identity and asks some largely irrelevant questions to a female suspect.

A similarly described scene occurs in a famous film noir of 1946. Can you name the film?

3.  The film referred to in question #1 was first released theatrically with a voice-over narration. Some time later there was a subsequent version shown without it. In addition, its original ending was shortened.

Can you name the famous science fiction film from 1956 which underwent the same experience? 

4. One of the actors appearing in the film referenced in question #1, plays a game of chess. When he was much younger, this same actor appeared in a classic film noir directed by a chess aficionado which also happens to contain a scene in which chess is played.  

Can you name the actor and the earlier film in which he appeared?

5. There is a climactic scene in film #1 that takes place in an iconic building. This famous building was used over 20 years earlier for an intense showdown toward the end of a noteworthy film.  

Can you name the building, its location (referenced in both films) and the earlier film's title?  

6.  In its original theatrical release version, Film #1's happy ending utilised outtake footage from the very start of a 1980 horror film. The actor referenced in question #4 also makes a memorable appearance in this 1980 film directed by film #4's director.

Can you name this 1980 film and the occupation the actor plays?  And finally for the real diehards out there, provide the first name of the character he plays.