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Sterling Silver Dialogue #12

 

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

"There's something about the sound of my own voice that fascinates me."

 

Veda: (regarding a gift from her mother) "The dress. It's awful cheap material. I can tell by the smell."

Kay: (Veda's sister) "What did you expect? Want it inlaid with gold?"

Veda: "Well, it seems to me, if you're buying anything, it should be the best. This is definitely not the best."

Kay: "Oh, quit. You're breakin' my heart."

Veda: "Oh it's impossible. Look at it. Ruffles. Oh I wouldn't be seen dead in this rag. It's horrible! How could she have bought me such a thing?"

 

Veda: (to her mother) "With this money I can get away from you. From you and your chickens and your pies and your kitchens and everything that smells of grease. I can get away from this shack with its cheap furniture. And this town and its dollar days, and its women that wear uniforms and its men that wear overalls."

Veda: (to her mother) "You think just because you made a little money you can get a new hairdo and some expensive clothes and turn yourself into a lady. But you can't, because you'll never be anything but a common frump whose father lived over a grocery store and whose mother took in washing. With this money I can get away from every rotten stinking thing that makes me think of this place or you!"

 

"Personally, Veda's convinced me that alligators have the right idea. They eat their young."

 

"You know I like Mexico; it's so... Mexican."

 

 

"This isn't the real Mexico, you know that. All border towns bring out the worst in a country. I can just imagine your mother's face if she could see our honeymoon hotel."

 

 

"From here on it's Mexico, Mr. Thornton."

(reply) "What's the closest town of any size?"

(response) "Agua Verde."

(reply) "What's in Agua Verde?"

(response) "Mexicans. What else?"

 

 

(philosophically about himself) "Mongo only pawn in game of life."

 

 

"Go home Martins, like a sensible chap. You don't know what you're mixing in. Get the next plane."

Martins: "As soon as I get to the bottom of this, I'll get the next plane."

(reply) "Death's at the bottom of everything, Martins. Leave death to the professionals."

Martins: "Mind if I use that line in my next Western?"

 

"I told you to go away, Martins. This isn't Santa Fe. I'm not a sheriff and you aren't a cowboy. You've been blundering around with the worst bunch of racketeers in Vienna, your precious Harry's friends, and now you're wanted for murder."

Martins: "Put down drunk and disorderly too."

(reply) "I have."

 

"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love. They had 500 years of democracy and peace, and what did that produce? The cuckoo clock."

 

 

"I think you're a very stupid person. You look stupid, you're in a stupid business, and you're on a stupid case."

(reply) "I get it. I'm stupid."

 

"It was one of those transient motels, something between a fleabag and a dive."

 

(on being shaken by the lapels) "Now wait a minute. I've been slapped, scratched, punched, knocked unconscious, drugged, and shot at, looking for your Velma, so quit trying to make a milkshake out of my insides, will you?"

 

"This car sticks out like spats at an Iowa picnic."

 

 

(upon finding someone he's been searching for) "I spotted your car."

(reply) "You spotted my car? Will it wash off? That's a rental."

Answers to Sterling Silver Dialogue #12 are here.

End Credits #14: Cinema's 2012 Lost Treasures Chad Everett, Larry Hagman, Susan Tyrrell, Ben Gazzara, Phyllis Thaxter

Character and Supporting Actors Lost to Us in 2012  Part 3

There are a large number of films with important contributions from often overlooked supporting, and character actors, some of whom were sadly lost to us in 2012.

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Capturing a Golden Moment #7: Sometimes a Great Notion

In this series I'd like to present some exceptional scenes inspired by cinema's most gifted artists of yesteryear.

 

 

Sometimes a Great Notion (1971)

Director: Paul Newman

Scene: "Logging Accident"

Harrowing but poignant, Newman's directorial debut reveals the unique identities of his characters and their deeply commited relationships with one another in this stunningly tragic scene.

 

 

Sometimes a Great Notion is available on Blu-ray here:

Sometimes A Great Notion [Blu-ray]
$13.30
Starring Paul Newman, Henry Fonda, Lee Remick
Buy on Amazon

It is also available on DVD here:

 

Sometimes a Great Notion
$17.98
Starring Paul Newman, Henry Fonda, Lee Remick, Richard Jaeckel, Linda Lawson
Buy on Amazon

Six Degrees of Treasure Trivia: Quiz #5

6 DEGREES OF TREASURE TRIVIA:  

Further hints to question #1 will be provided in the others (#2-#6).  Feel free to send your answers to arthur@thecinemacafe.com.

1. The following are heard in this film:

"Plantin' and readin', plantin' and readin'. Fill a man full o' lead, stick him in the ground an' then read words at him. Why, when you've killed a man, why try to read the Lord in as a partner on the job?"

Can you name the film?

 

2. Upon seeing the star's performance in film #1, a famous Director is reported to have said: "I didn’t know the big son of a bitch could act!"

Can you name the star of the film referred to in #1 and the Director (who often hired him) ascribed to making the above remark?

 

3. In a 1971 Academy Award Best Picture nominated film, the final movie that plays in a local town's theatre is the film referenced in #1.

Can you name this 1971 film?

 

4. An actor making his motion picture debut in film #1 played a priest accused of murder in this 1953 film directed by a famous British Director.

Can you name the actor, the 1953 film and its Director?

 

5. The U.S. southern state that film #1's story begins in has a one word name sometimes used to describe it. This name is the same title of a 1956 film.

Can you name the 1956 film?

 

6. Two of the principal stars in film #1 appeared in the same director's subsequent 1959 film. In this '59 film, two other co-stars who were both known as singers sing a song adapted from the theme heard throughout film #1.

Can you name the two actors appearing in both film #1 and the 1959 film, the title of the 1959 film, both films' Director, and the additional two actors (and singers) of the song described? For the real diehards out there, name the song's title they sing and its music's composer (who's also film #1's composer) and finally the most baffling of all: Name the original theme's title for film #1.

Sterling Silver Dialogue #11

Sterling Silver Dialogue From The Movies: 

Do you know where they're from?

 

"How singularly innocent I look this morning."

"Young woman, either you have been raised in some incredibly rustic community, where good manners are unknown, or you suffer from a common feminine delusion that the mere fact of being a woman exempts you from the rules of civilized conduct. Possibly both."

"I don't use a pen. I write with a goose quill dipped in venom."

"I'll neither consider, endorse or use the Wallace pen. I hate pens. If your employer wishes me to publish that statement in my column, you may tell them that I should be delighted to oblige."

"In my case, self-absorption is completely justified. I have never discovered any other subject quite so worthy of my attention."

"I'm not kind, I'm vicious. It's the secret of my charm."

"I cannot stand these morons any longer. If you don't come with me this instant, I shall run amok."

"You'd better watch out, McPherson, or you'll end up in a psychiatric ward. I don't think they've ever had a patient who fell in love with a corpse."

"... and thus as history has proved, love is eternal. It has been the strongest motivation for human actions throughout centuries. Love is stronger than life. It reaches beyond the dark shadow of death."

"The best part of myself. That's what you are. Do you think I'm going to leave it to the vulgar pawing of a second rate detective who thinks you're a dame? Do you think I could bear the thought of him holding you in his arms, kissing you, loving you?!"

 

 

"What the hell are you doin' here?" (reply)  "I'm lookin' at a tin star with a... drunk pinned on it."

 

 

"You appear with the tedious inevitability of an unloved season."

"At least I shall have the pleasure of putting you out of my misery."

 

 

"I've always wanted to know somebody who's been to China. Tell me about it."   (reply)   "A lot of Chinese live there."

 

"Do you think my husband would like to see a picture of me hanging over the fireplace?"

(reply)  "I think your husband would like to see you hanging anyplace."

 

 

 

"Am I the worst oaf in the world?" (reply) "The world's a big place. You're the worst one in my life."

 

 

"Love is like the measles. You only get it once, and the older you are, the harder you take it."

 

"Well, it wouldn't hurt you to learn some manners, too."  (reply)  "What do I need manners for? I already got me a wife."

 

 

"If my answers frighten you Vincent, then you should cease asking scary questions."

 

"Then basically I'm just gonna walk the earth."  (reply)  "What'cha mean walk the earth?"  (response)  "You know, like Caine in 'Kung Fu'. Walk from place to place. Meet people. Get into adventures."

 

"You see that, young lady? Respect. Respect for one's elders gives character."  (reply)  "I have character."  (response)   "Just because you are a character doesn't mean that you have character."

 

"Now, if you'll excuse me, I'm going to go home and have a heart attack."

 

Answers to Sterling Silver Dialogue #11 are here.

 

 

 

 

End Credits #13: Cinema's 2014 Lost Treasures Shirley Temple

I am honored to introduce for his first post here, guest blogger Bob DiMucci:

 

When I was growing up, one of our local television stations had a Saturday morning show called "Shirley Temple Theater," in which they had Temple's films on a regular rotation. I saw many of her most popular films as part of that series. In the 50 years since, however, I've probably revisited only one or two of those films. Yet I still have vivid memories of many scenes from them.

The Films of Shirley Temple

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