"Now Listen to Me... "
Just some thoughts on current happenings:
Classic film screenings from around the world this June include:
In London, United Kingdom The Prince Charles Cinema will present The Ascent (1977) Monday, June 8, Citizen Kane (1941, a 35mm print) Monday, June 8, Harakiri (1962) Monday, June 8 and Monday, June 13, Casablanca (1942, a 35mm print) Saturday, June 13, Heat (1995, a 35mm print) Saturday, June 13 and Tuesday, June 23, Sorcerer (1977, a 4K presentation) Tuesday, June 16, Vertigo (1958, a 4K presentation) Monday, June 22, Network (1976, a 4K presentation, a 50th Anniversary screening) Tuesday, June 30, and The Bad News Bears (1976) on Tuesday, June 30.
* Note: Some of the showtimes are matinees only.
Click on the film’s respective image for more information. To see June’s complete programming, click on The Prince Charles Cinema banner above.
In Los Feliz (part of greater Los Angeles) California, The American Cinematheque The Los Feliz 3 Theatre will present Boy aka 少年 or Shōnen (1969, a New 4K Restoration) Thursday, June 11 and Criss Cross (1949) on Tuesday, June 16.
For more information on either of these programmes, click on the respective film image above. To see the entire month of June’s programming including other films showing at The Los Feliz 3 Theatre in Los Feliz, the Egyptian Theatre in Hollywood (also part of greater Los Angeles), and Aero Theatre in Santa Monica (also part of greater Los Angeles), click on the American Cinematheque banner.
In New York City, New York, Film Forum is presenting
The Third Man (1949, a Brand new 35mm print photochemically printed from original film elements) from
Friday, June 12 – Thursday, June 25
Click on the movie image for more information and on the Film Forum banner for other motion pictures playing this month.
Noir City will take place in Boston, Massachusetts from June 12 - 15.
The introduction reads:
Friday, June 12 – Monday, June 15 • Foster Hirsch in Person!
Special Introductions at Screenings on Friday, Saturday, and Sunday!
We are thrilled to welcome back our friends from the Film Noir Foundation for another edition of NOIR CITY BOSTON. This year the theme is “Face the Music” and features films that exist at the intersection of jazz and noir! Author Foster Hirsch will be on hand for special introductions all weekend long! (All descriptions courtesy of The Film Noir Foundation)
In Los Angeles, California The Beverly Cinema will present The Third Man (1949, a New 35mm print) on Friday, June 12, Saturday, June 13 and Sunday, June 14.
Click on the poster image for more information on this presentation. To see the rest of June’s schedule, click on The Beverly Cinema banner above.
In Auckland, New Zealand, Academy Cinemas is presenting Bullitt (1968) Sunday, June 14 at 1 pm only, and White Heat (1949) Sunday, June 21 at 1 pm only.
To obtain more information on any of this programme, click on the poster image. To see June’s complete schedule, click on the Academy banner above.
In Bergen, Norway The Cinemateket i Bergen will present The Maltese Falcon (1941, a 35mm print) on Tuesday, June 16 and Tuesday, June 23.
For more information on this film’s showing, click on the movie image above. For further information on the other films presented at The Cinemateket, click on the banner image above.
In Valencia, Spain, Culturarts Generalitat IVAC – La Filmoteca at the Edificio Rialto will present Love in the Afternoon (1957, a 35mm print, as part of their BILLY WILDER series) on Tuesday, June 18 and Wednesday, June 19.
Click on the film’s image for more information on this screening. To discover more of June’s programming including other films playing in Valencia, Spain at the Edificio Rialto, Castelló, Spain at the Raval Theatre and the Paranimf of the Universitat Jaume I, and in Alicante Spain at the Arniches Theatre, click on the banner image above.
In theatres across the U.S. Flashback Cinema is presenting Raiders of the Lost Ark (1981) on Saturday, June 20, Sunday, June 21 and Wednesday, June 24.
Click on the poster image for more information on this screening. To see the entire month’s programming, click on The Flashback Cinema banner above.
In Lyon, France the Institut Lumiere is presenting Diary of a Lost Girl (1929, with Piano accompaniment by Fred Escoffier, as part of its FILM CONCERTS AND SILENT FILMS series) on Sunday, June 21 at 2:30 pm only.
Click on the film image above for more information on this screening. Click on the Institut logo for all of the films showing this month.
In theatres across the U.S., Fathom Entertainment is presenting Ocean’s Eleven (2001, a 25th Anniversary presentation) on Sunday, June 21 and Wednesday, June 24.
Click on the poster image for more information on this screening. To see more scheduling, click on The Fathom Events banner above.
In San Francisco, California, The Roxie Theatre will present The Most Dangerous Game (1932, as part of their Wild, Weird, Wicked: Films From Before the Code series) on Tuesday, June 23.
For more information on this showing, click on the movie image above. For more information on the other films being presented at The Roxie, click on the theatre picture.
In Culpeper Virginia, The Library of Congress at the National Audio-Visual Conservation Center, Packard Campus Theater is presenting The Elephant Man (1980, a 35mm print) on Thursday, June 25.
Click on the poster image for more information on this film’s screening. To see the rest of June’s schedule, click on the Packard Campus image above.
In Sydney, Australia The Ritz Theatre will present The Matrix (1999, a 35mm print) on Friday, June 26.
Click on the film image for more information on this screening. For other films playing at The Ritz Theatre, click on the banner above.
In Detroit, Michigan The Redford Theatre will present Sorcerer (1977, as part of their ‘Bleak Week’ series) on Saturday, June 27.
Click on the top image for more information. To see the entire month’s programming, click on The Redford Theatre banner above.
In Como (part of greater Perth) Western Australia, The Revival House will present King Kong (1933, a 35mm print) on Sunday, June 28 at 2 pm only.
Click on the poster image for more information on this screening. To see the other films showing this month, click on the theatre banner above.
In Hollywood (part of greater Los Angeles) California, The Vista Theater will present The Wild Party (1929, a 35mm print) on Sunday, June 28 at 10 am only.
To discover more about the screening of The Wild Party or the other films playing this month at the Vista Theater, click on either of the above images.
These are the reviewed films showing on Turner Classic Movies in the U.S. for the remainder of this month:
The first TCM film to see is Fritz Lang’s 1952 Clash by Night which is reviewed as a DVD recommendation here. The clash will occur Monday, June 8 at 5 pm PDT.
Stirling Hayden does not portray the criminal mastermind (that honour goes to actor Sam Jaffe) in this next TCM recommendation: The Asphalt Jungle (1950), previously recommended here. His role, however, in a bold and daring jewel heist, is crucial both as a participating character and to the drama itself. The score will take place Monday, June 8 at 8:30 pm PDT.
1967's Hotel was taken, like 1970's Airport, from a novel by Arthur Hailey and is the far better crafted of the two films. This proficient and underrated motion picture was previously reviewed here and will open its doors Tuesday, June 9 at 12:30 pm PDT.
This next TCM recommendation is made for its John Williams composed score more than anything else. Close Encounters of the Third Kind (1977) has been reviewed here, and will be shown Tuesday, June 9 at 5 pm PDT.
Film noir has few representatives as dourly defeatist or as forcefully communicative on the subject of human relations than 1945's Scarlet Street, previously reviewed here. Edward G. Robinson as Christopher Cross will take his fateful walk down that dark and foreboding street Friday, June 12 at 5 pm PDT.
As in Hotel, a previous TCM recommendation this month, Rod Taylor again headlines the intriguing “Mission Impossible” prototype espionage thriller 36 Hours (1964), previously reviewed here. The hour to watch will take place Saturday, June 13 at 1:15 pm PDT.
I’ve written a few words on The Towering Inferno (1974), both the film and its soundtrack here. The screen will heat up Wednesday, June 17 at 5 pm PDT.
Next up is Alfred Hitchcock's dazzling thriller, Foreign Correspondent (1940), previously reviewed here. His main character’s precarious globe trotting assignment will begin Friday, June 19 at 12:30 pm PDT.
John Huston's Reflections in a Golden Eye is a film I have mixed feelings about. The rather strange inhabitants of these southern-Gothically tinged surroundings may remain underdeveloped but the performances from its superbly chosen cast compensate by genuinely conveying their characters' frustrations and desires making this an engrossing film-watching experience. It is a previous TCM recommendation here, and is worth eyeing Saturday, June 20 at 12:45 pm PDT.
Bonnie and Clyde is a seminal gangster saga heavily influenced by the French iconoclast Jean-Luc Godard. A prior review here includes a special contribution from Bob DiMucci who informatively reports on some of the film's critical responses at the time of its release. Following that, are my personal recollections at the age of 12 upon seeing this radically-new expeditious approach to American cinematic storytelling. The Barrow Gang will strike Saturday, June 20 at 2:45 pm PDT.
Unlike the previous cinematic representation of infamous outlaws, Butch Cassidy and the Sundance Kid is a film I have been fairly critical of. 1969’s western, previously reviewed here, is showing Tuesday, June 23 at 7:15 pm PDT.
Many experts have claimed that this next TCM recommendation is the first identifiable film noir made in the U.S. and released during the category's classic time period (1940 - 1959): Boris Ingster's 1940 Stranger on the Third Floor. Viewers can glean just how many of noir's stylish traits are inherent in this film by reading my brief review here. If you're a noir fan and have never seen this little RKO gem, be a stranger no more Friday, June 26 at 8:30 am PDT.
"And then I saw her - coming out of the sun. And I knew why Whit didn't care about that 40 grand."
Out of the Past (1947), is one of film noir's finest and most highly recommended here. She will arrive Friday, June 26 at 5 pm PDT.
Still another TCM film-noir offering of considerable quality is 1948's Moonrise, reviewed here, and occurring Friday, June 26 at 8:30 pm PDT.
Also on TCM’s agenda is the Neo-noir Bullitt (1968), one of Steve McQueen’s most iconic characterisations. Reviewed here, Bullitt will speed its way onto TCM Saturday, June 27 at 12:45 pm PDT.
Preston Sturges masterfully wrote and directed Sullivan's Travels (1941), a prior Blu-ray endorsement here. The fun-filled journey will begin Saturday, June 27 at 5 pm PDT.
Moving to a totally different part of the cinematic landscape we have Jean-Luc Godard’s most fascinating dissection on the filmmaking industry, Contempt aka Les mepris (1963), a previous TCM recommendation here, and appearing Saturday, June 27 at 7 pm PDT.
TCM's current monthly schedule can be confirmed by clicking on any of the above TCM related images. To confirm the correct Pacific Daylight (West Coast) showtime information, subtract 3 hours from the Eastern Daylight (East Coast) showtime listed on TCM’s schedule.
(To be continued… ) A.G.