Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, March 25, 2025
Today on TCM:
Immediately following Hotel, Rod Taylor again headlines the intriguing “Mission Impossible” prototype espionage thriller 36 Hours (1964), previously reviewed here. The hour to watch will be Tuesday, March 25th at 10:15 am PST.
(From left) Rod Taylor, James Garner, Eva Marie Saint
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All responses are not only welcomed but encouraged in the comments section below.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, March 20, 2025
Currently available at Watch TCM (until March 27th):
Barbara Stanwyck stars as a devoted wife trying to save her husband (played by Barry Sullivan) but equally determined to match wits against killer Ralph Meeker in order to do so, in the previously recommended (here) film noir, 1953's Jeopardy.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, March 18, 2025
Tomorrow on TCM:
If I was in charge of choosing a single film noir for someone only willing to see one in the entire canon, I would select Double Indemnity (1944) as its most fulfilling and accomplished representative.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, March 12, 2025
Today on TCM:
A top of the line screwball comedy released the same year as Sullivan’s Travels and, even more remarkably, from the same writer (co-writer here along with Monckton Hoffe) / director is The Lady Eve (1941)
Currently available at Watch TCM (until March 25th):
A film well worth seeing is Network (1976), a “mad as hell” exposé of just how far some TV executives will go to exploit for profit a former news anchor’s severe “on the air” mental breakdown.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, February 26, 2025
Currently available at Watch TCM (until February 28th):
“The mattress is soft and there're hangers in the closet and stationary with ‘Bates' Motel’ printed on it in case you want to make your friends back home envious.”
Still another Hitchcock artistic triumph was, at the time (including throughout its primary creator’s career), the most audacious cinematic assault ever perpetrated on the movie going public or the Motion Picture Production Code for that matter. 1960's Psycho
