The Cinema Cafe

Serving Screen Stories Sweet and Savoury

Filtering by Tag: Watch TCM

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, June 2, 2026

Currently available at Watch TCM (until July 2nd):

Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.

Next up is Richard Fleischer’s little powder keg of a film noir Armored Car Robbery (1950), which was previously recommended here.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, May 26, 2026

Currently available at Watch TCM (until June 25th):

Next up, is a WW II film that can only be defined by its setting. There are just too many dispersed ideas regarding tone and perspective to communicate what kind of film Kelly’s Heroes (1970) is, let alone how any of its numerous genre types are successfully represented.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, May 5, 2026

Currently available at Watch TCM (until May 12th):

John Ford's 1956 masterpiece The Searchers, previously reviewed here, is Top Ten Western #2 and is as likely as any film to provide one with a truly unforgettable, rich and rewarding movie watching experience.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Thursday, April 16, 2026

Currently available at Watch TCM (until April 18th):

Bonnie and Clyde is a seminal gangster saga heavily influenced by the French iconoclast Jean-Luc Godard. A prior review here includes a special contribution from Bob DiMucci who informatively reports on some of the film's critical responses at the time of its release.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, March 18, 2026

Currently available at Watch TCM (until March 25th):

Filmmaker Francis Ford Coppola’s 1979 magnum opus Apocalypse Now (the “Theatrical Version” reviewed here) has been canonised by its opening alone: perhaps the most hypnotically captivating introduction in the history of cinema.

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