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Dish of the Day


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, February 26, 2025

Currently available at Watch TCM (until February 28th):

The mattress is soft and there're hangers in the closet and stationary with ‘Bates' Motel’ printed on it in case you want to make your friends back home envious.”

Still another Hitchcock artistic triumph was, at the time (including throughout its primary creator’s career), the most audacious cinematic assault ever perpetrated on the movie going public or the Motion Picture Production Code for that matter. 1960's Psycho was previously reviewed here.

More information on this screening can be obtained by clicking on the image above. Watch TCM’s schedule can be seen by clicking on the banner below.

All responses are not only welcomed but encouraged in the comments section below.

Hope to see you tomorrow.

A.G.

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, February 5, 2025

Currently available at Watch TCM (until February 17th):

If I was in charge of choosing a single film noir for someone only willing to see one in the entire canon, I would select Double Indemnity (1944) as its most fulfilling and accomplished representative.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, January 27, 2025

Currently available at Watch TCM (until February 10th):

Barbara Stanwyck stars as a devoted wife trying to save her husband (played by Barry Sullivan) but equally determined to match wits against killer Ralph Meeker in order to do so, in the previously recommended (here) film noir, 1953's Jeopardy.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, November 27, 2024

Currently available at Watch TCM (until December 17th):

Although starting out as quite the common man, circumstances will turn this rather nondescript accountant played by Edmond O'Brien, into a kind of noir superhero in D.O.A. (1950)

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