Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, July 9, 2025
Currently available at Watch TCM (until July 13th):
In 1966, one of the more challenging films to face off against the Production Code (mentioned in Exploring the Artefacts #3: Code Breakers) was that year’s Who’s Afraid of Virginia Woolf? (reviewed here) remarkably delivering all of the guttural force of its theatrical origin while creating a more intimate, and cinema appropriate, dynamic all its own.
Elizabeth Taylor, Richard Burton
More information on this screening can be obtained by clicking on the image above. Watch TCM’s schedule can be seen by clicking on the banner below.
All responses are not only welcomed but encouraged in the comments section below.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, June 25, 2025
Currently available at Watch TCM (until June 29th):
From the same director who brought us Citizen Kane comes another kind of cinematic hero (of sorts). Michael O'Hara, like the deeply flawed Kane, is flawlessly played by his creator Orson Welles. Unlike Citizen Kane however, this film fell under its producer Harry Cohn's butchery with considerable footage lost and destroyed forever. Nevertheless, what survives is vastly entertaining and not to be missed. The Lady from Shanghai (1947) was previously recommended here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, June 16, 2025
Currently available at Watch TCM (until July 12th):
"Complaining about the far-fetched circumstances in films noir is like objecting to the lack of realism in a Picasso painting. What I mean is that lovers of these criminally rich cinematic delights oughtn’t to bother picking out the implausibilities, since they are practically a hallmark of noir's style."
I've written this before when introducing Split Second (1953), a film noir that presents some rather unlikely occurring, but fascinating, situations.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, May 12, 2025
Currently available at Watch TCM (until May 17th):
Dark Passage (1947) is a wildly engrossing film noir that combines the best of romance with the best of noir in the best location for both: San Francisco.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, May 6, 2025
Currently available at Watch TCM (until May 27th):
TCM is presenting an unequivocal masterpiece and one of Cinema's greatest artistic achievements: Marcel Carne's Children of Paradise (Les enfants du paradis) (1945).
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, May 5, 2025
Currently available at Watch TCM (until May 10th):
In the U.K. town of Midwich, strange children with mysterious origins are behaving badly. Find out just how bad when viewing the chilling Village of the Damned (1960), previously reviewed here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, April 17, 2025
Currently available at Watch TCM (until April 21st):
This must-see TCM film recommendation is Italian director Vittorio De Sica's 1948 neo-realist masterpiece The Bicycle Thief (Ladri di biciclette),one of the most emotionally devastating films of all time (See: Top Ten: World Cinema Treasures).
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, April 16, 2025
Currently available at Watch TCM (until May 8th):
Returning to underappreciated films noir, we have Hidden Gem #10They Won't Believe Me with its fascinating, twisted plot and antithetically noir central character.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, April 3, 2025
Currently available at Watch TCM (until April 8th):
MGM's 1952 musical Singin' in the Rain was not adapted from a theatrical production, though the film was later turned into one, being first presented on stage in 1983.
