Dish of the Day
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, May 6, 2026
Tomorrow on TCM:
No Name on the Bullet (1959)
Decorated WWII war hero Audie Murphy made a few better than average westerns in the 50s including The Duel at Silver Creek (1952) for director Don Siegel, noted for its sudden and brutal violence. Night Passage (1957) was another where Murphy held his own with co-star James Stewart convincingly playing his brother gone bad. It was at the decade’s end, however, where Murphy landed the most succulent role of his career: that of lone gun for hire John Gant in 1959’s No Name on the Bullet.
Director Jack Arnold, who had previously given us the thought provoking science fiction thriller The Incredible Shrinking Man (1957), summons our mental processes once again with his shrewd combination of mystery, fear and philosophical atmospheres. Murphy’s Gant is spellbinding as he ever so calculatedly manoeuvres through both the town and townsfolk of Lordsburg with the physical precision of a leopard stalking its prey and the intellectual exactness of a chess grandmaster.
Gant’s reputation of successfully goading his victim into drawing first precedes him. His glacial demeanour and strategic purpose makes him more like a representation of death than a real-life person creating an air of inevitability. Gant causes more than a few of the residents to assume they are the ones he’s after. The town’s paranoia builds to a feverish pitch as Lordsburg’s inhabitants become increasingly desperate to rid themselves of this covert assassin. It appears corruption runs concurrent with guilt which leads to some fascinating discourse that challenges standard perceptions of right and wrong, good and evil. Adding more complexity to the mix is Gant’s nemesis Luke Canfield played effectively by Charles Drake: a doctor who heals as opposed to Gant who kills. The doctor has seemingly awakened Gant’s intellectual curiosity As soon as these opposing forces sit down for a game of chess Their immersive interactions, some amicable, others adversarial, further provide this hidden gem with an intellectually stimulating, film noir-like vitality rare to the western genre. No Name on the Bullet is scheduled to make its mark on TCM Thursday, May 7th at 9:15 pm PDT.
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All responses are not only welcomed but encouraged in the comments section below.
Hope to see you tomorrow.
A.G.