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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Thursday, June 26, 2025


Tomorrow on TCM:

A pre-code charmer sure to delight fans is Blonde Crazy (1931) with Jimmy Cagney and Joan Blondell enchanting as a couple of cons. This recommendation was previously made here and will appear Friday, June 27th at 10 am PDT.

Joan Blondell, James Cagney

TCM's current monthly schedule can be confirmed by clicking on the above image. To confirm the correct Pacific Daylight (West Coast) showtime information, subtract 3 hours from the Eastern Daylight (East Coast) showtime listed on TCM’s schedule.

All responses are not only welcomed but encouraged in the comments section below.

Hope to see you tomorrow.

A.G.

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, June 25, 2025

Currently available at Watch TCM (until June 29th):

From the same director who brought us Citizen Kane comes another kind of cinematic hero (of sorts). Michael O'Hara, like the deeply flawed Kane, is flawlessly played by his creator Orson Welles. Unlike Citizen Kane however, this film fell under its producer Harry Cohn's butchery with considerable footage lost and destroyed forever. Nevertheless, what survives is vastly entertaining and not to be missed. The Lady from Shanghai (1947) was previously recommended here

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Dish of the Day


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, June 23, 2025


Tomorrow on TCM:


Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.

Next up is Richard Fleischer’s little powder keg of a film noir Armored Car Robbery (1950), previously recommended here and set to explode Tuesday, June 24th at 2:30 pm PDT.

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Dish of the Day (A Lost Weekend Edition)


Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, June 20, 2025


This weekend on TCM:

In 1967, British Director John Boorman nailed the American crime milieu with the precision of his film's title, Point Blank, a Neo-noir masterpiece fortified with style and driven by purpose.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, June 16, 2025

Currently available at Watch TCM (until July 12th):

"Complaining about the far-fetched circumstances in films noir is like objecting to the lack of realism in a Picasso painting. What I mean is that lovers of these criminally rich cinematic delights oughtn’t to bother picking out the implausibilities, since they are practically a hallmark of noir's style."

I've written this before when introducing Split Second (1953), a film noir that presents some rather unlikely occurring, but fascinating, situations.

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Dish of the Day (A Long Good Friday Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, June 13, 2025

This weekend on TCM:

The multi-talented Gordon Parks made his directorial debut at age 57 with 1969's The Learning Tree based on his semi-autobiographical novel of the same name. This touching coming of age story was previously lauded, along with its creator Parks, in an article entitled: Exploring the Artefacts #5: The Alchemist.

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Dish of the Day (A Lost Weekend Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, May 30, 2025

Tomorrow on TCM:

Next up, is a WW II film that can only be defined by its setting. There are just too many dispersed ideas regarding tone and perspective to communicate what kind of film Kelly’s Heroes (1970) is, let alone how any of its numerous genre types are successfully represented.

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