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Dish of the Day (A Hot Saturday Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Saturday, June 1, 2024

Already posted to the CC site is the first half of this month’s >>> “Now Listen to Me…” <<< column containing news of various classic film screenings happening in theatres around the world and the first 13 (out of 27) recommended movies to watch this month on TCM.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, May 21, 2024

Currently available on Watch TCM (until May 23rd):

There have been quite a few movies centred around boxing over the years from 1937’s Kid Galahad to 2018’s Creed II with plenty of standouts in-between such as 1947’s Body and Soul, 1956’s Somebody Up There Likes Me, 1962’s Requiem for a Heavyweight, 1972’s Fat City and 1980’s Raging Bull. None of these, however, get as straight to the punchline as 1949’s knockout noir The Set-Up,

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Wednesday, May 15, 2024

Tomorrow early morning on TCM:

“How does it feel to be a decent, respectable married man?”

Dick Powell’s Everyman faces a mid-life crisis, including a far more considerable threat to his well being in the form of Raymond Burr’s jealous contractor, in Pitfall (1948), previously recommended here.

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Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Tuesday, May 14, 2024

Currently available on Watch TCM (until May 15th):

Otto Preminger’s directed classic, 1944’s Laura, is the exacting director’s slick and assured amalgamation of mystery (whodunnit) and film noir (obsessive desire, gruesome murder etc) elements.

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Dish of the Day (A Lost Weekend Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, May 10, 2024


This weekend on TCM:

In 1967, British Director John Boorman nailed the American crime milieu with the precision of his film's title, Point Blank, a neo-noir masterpiece fortified with style and driven by purpose.

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